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A coin featuring the profile of Hera on one face and Zeus on the other, c. 210 AC. Roman conquerors of the Hellenic East allowed the incorporation of existing Greek mythological figures such as Zeus into their coinage in places like Phrygia, in order to "augment the fame" of the locality, while "creating a stronger civil identity" without "advertising" the imposition of Roman culture.
Backside of a clay tablet from Pylos bearing the motif of the Labyrinth, an allusion to the mythological fight of Theseus and the Minotaur. In the most traditional sense, allusion is a literary term, though the word has also come to encompass indirect references to any source, including allusions in film or the visual arts. [8]
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
Echo and Narcissus is a myth from Ovid's Metamorphoses, a Roman mythological epic from the Augustan Age. The introduction of the mountain nymph , Echo , into the story of Narcissus , the beautiful youth who rejected Echo and fell in love with his own reflection, appears to have been Ovid's invention.
In Greek mythology, Echo (/ ˈ ɛ k oʊ /; Greek: Ἠχώ, Ēkhō, "echo", [3] from ἦχος (ēchos), "sound" [4]) was an Oread who resided on Mount Cithaeron. [5] Zeus loved consorting with beautiful nymphs and often visited them on Earth. Eventually, Zeus's wife, Hera, became suspicious, and came from Mount Olympus in an attempt to catch ...
Leda and the Swan, Roman marble possibly reflecting a lost work by Timotheos from the 300s BCE. More than two dozen examples of this statue survive. restored ()The historian Procopius claims, in his Secret History, that the Roman Empress Theodora acted in a reproduction of this particular myth at some point in her youth in the early sixth century CE prior to her becoming the empress.
Daedalus, Icarus, Queen Pasiphaë, and two of her attendants in a Roman mosaic from Zeugma, Commagene The Fall of Icarus. Antique fresco from Pompeii, 40–79 AD. Icarus's father Daedalus, a very talented Athenian craftsman, built a labyrinth for King Minos of Crete near his palace at Knossos to imprison the Minotaur, a half-man, half-bull monster born of his wife and the Cretan bull.
The story's Neoplatonic elements and allusions to mystery religions accommodate multiple interpretations, [3] and it has been analyzed as an allegory and in light of folktale, Märchen or fairy tale, and myth. [4] The story of Cupid and Psyche was known to Boccaccio in c. 1370, but the editio princeps dates to 1469.