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Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Unlike other motion picture film stock of the time, Polavision film reproduces color by the additive method, like the much earlier Dufaycolor film. In essence, it consists of a black-and-white emulsion on a film base covered with microscopically narrow red, green and blue filter stripes.
Pathécolor, later renamed Pathéchrome, was an early mechanical stencil-based film tinting process for movies developed by Segundo de Chomón for Pathé in the early 20th century. Among the last feature films to use this process were Elstree Calling (1930), a British revue film , and the Mexican film Robinson Crusoe (1954) by Spanish ...
Color Systems Technology [3] [112] The Bride Came C.O.D. 1941: 1993: Turner Entertainment [113] Bride of the Monster: 1955: 2008: Legend Films [114] Brideless Groom: 1947: 2007: Columbia Pictures (West Wing Studios) [65] Bright Eyes: 1934: 1986: 20th Century Fox (Color Systems Technology) [4] Bringing Up Baby: 1938: 1989: Turner Entertainment ...
Play Safe (1936 film) Playful Pluto; The Playful Polar Bears; Pluto's Judgement Day; The Pointer; Poor Cinderella; Popeye the Sailor Meets Sindbad the Sailor; The Private Lives of Elizabeth and Essex; Puttin' On the Ritz (film)
Kinemacolor faced several issues, including its inability to reproduce the full color spectrum due to being a two-colour process. Other issues included eye strain and frame parallax because it used a successive frame process, as well as the need for a special projector. The color filters absorbed so much light that studios had to be built open-air.
As a bipack color process, the photographer loaded a standard camera with two film stocks: an orthochromatic strip dyed orange-red and a panchromatic strip behind it. The orthochromatic film stock recorded only blue and green, and its orange-red dye (analogous to a Wratten 23-A filter) filtered out everything but orange and red light to the panchromatic film stock.
The flakes are constructed of aluminium coated with glass-like magnesium fluoride embedded in semi-translucent chromium. The aluminium and chrome give the paint a vibrant metallic sparkle, while the glass-like coating acts like a refracting prism , changing the apparent color of the surface as the observer moves.