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The English title derives from famous piano transcriptions made by Myra Hess, in 1926 for piano solo and in 1934 for piano duet, [1] as published by Oxford University Press. Whether played instrumentally or sung in German or English, the chorale is often heard at weddings and during Advent , Christmas , and Easter .
Keyboard works (Klavierwerke) by Johann Sebastian Bach traditionally refers to Chapter 8 in the BWV catalogue or the fifth series of the New Bach Edition, [1] both of which list compositions for a solo keyboard instrument like the harpsichord or the clavichord.
Chord Bible is the generic name given to a variety of musical theory publications featuring a large number of chord diagrams for fretted stringed instruments. The subject matter applies exclusively to chordophones , stringed musical instruments capable of playing more than one note at a time.
For example, in the key of C major, the chord of G 7 is followed by a chord of C. In order to execute a tritone substitution, a common variant of this progression, one would replace the dominant seventh chord with a dominant chord that has its root a tritone away from the original: Three kinds of perfect cadence
In the King James Version of the Bible the text reads: 4:Jesus answered and said unto them, Go and shew John again those things which ye do hear and see: 5:The blind receive their sight, and the lame walk, the lepers are cleansed, and the deaf hear, the dead are raised up, and the poor have the gospel preached to them.
The St Matthew Passion (German: Matthäuspassion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias.
Rutter completed his Requiem in 1985. It bears the dedication "in memoriam L. F. R.", [1] John Rutter's father, who had died the previous year. [2]He conducted the first performance on 13 October 1985 at Lovers' Lane United Methodist Church, Dallas, Texas, where the director of Music Allen Pote prepared the Sanctuary Choir and orchestra.
The oratorio depicts events in the life of the prophet Elijah. Mendelssohn uses biblical episodes relating to Elijah, which in the original, 1 Kings 17:19 and 2 Kings 2:1, are narrated in rather laconic form, to produce intensely dramatic scenes, while adding several related biblical texts, mostly taken from the Old Testament.
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