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The New Landlord (Hungarian: Az új földesúr) is a 1935 Hungarian historical romantic drama film directed by Béla Gaál and starring Artúr Somlay, Mária Egry and Pál Jávor. [1] The film is adapted from the novel of the same title by Mór Jókai. It was shot at the Hunnia Studios in Budapest.
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Listed to compete at the 1968 Cannes Film Festival: A beszélő köntös: Tamás Fejér: István Iglódi, Antal Páger: Agitátorok : Dezső Magyar: Gábor Bódy, Tamás Szentjóby, György Cserhalmi: Banned after release Fényes szelek: Miklós Jancsó: Hosszú futásodra mindig számíthatunk: Gyula Gazdag: Isten hozta, őrnagy úr: Zoltán ...
Hungarian cinema began in 1896, when the first screening of the films of the Lumière Brothers was held on the 10th of May in the cafe of the Royal Hotel of Budapest.In June of the same year, Arnold and Zsigmond Sziklai opened the first Hungarian movie theatre on 41 Andrássy Street named the Okonograph, where they screened Lumière films using French machinery.
Kontroll is a 2003 Hungarian comedy–thriller film. Shown internationally, mainly in art house theatres, the film is set on a fictionalized version of the Budapest Metro system. "Kontroll" in Hungarian refers to the ticket inspectors checking to ensure a rider has paid their fare. The story revolves around the ticket inspectors, riders, and a ...
Hungarian Rhapsody (Hungarian: Magyar rapszódia) is a 1979 Hungarian drama film directed by Miklós Jancsó. It was entered into the 1979 Cannes Film Festival. [1] It won Golden Peacock (Best Film) at the 7th International Film Festival of India. The film depicts "a peasant revolt in Hungary in the early twentieth century."
A set is artificially constructed scenery used in film and television. In the last two cases there are many reasons to build or use a set instead of travelling to a real location, such as budget , time, the need to control the environment, or the fact that the place does not exist.
Red Ink (Hungarian: Vörös tinta) is a 1960 Hungarian romantic drama film directed by Viktor Gertler and starring Éva Vass, György Pálos and Nóra Tábori. [1] [2] It was shot at the Hunnia Studios in Budapest. The film's sets were designed by the art director József Romvári.