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The face mask hangs from the head piece by a central hinge, and would be fastened with straps connecting a loop under each ear with corresponding holes in the neck guard. [ 1 ] [ 2 ] [ 3 ] The entire helmet, the iron core of which is between 1 and 6 millimetres thick, [ 4 ] weighs 2.217 kg (4.89 lb), of which the face mask comprises 982 g (2.16 ...
By this method, body diagrams can be derived by pasting organs into one of the "plain" body images shown below. This method requires a graphics editor that can handle transparent images, in order to avoid white squares around the organs when pasting onto the body image.
American cartoonist Scott McCloud argues that readers are more likely to identify with a simply-drawn "iconic" character than with a realistic-looking one.. Masking (or the masking effect) is a visual style used in comics, first described by American cartoonist Scott McCloud in his book Understanding Comics: The Invisible Art.
: Anterior view of human male, retouched.jpg Author Taken at City Studios in Stockholm (www.stockholmsfotografen.se), September 29, 2011, with assistance from KYO (The organisation of life models) in Stockholm.
A 19th century carved nut, depicting the mask of Hyottoko. Hyottoko (火男) is a comical Japanese character, portrayed through the use of a mask. His mouth is puckered and skewed to one side. Some masks have different eye sizes between the left and right eyes. He is often wearing a scarf around his head (usually white with blue dots).
By this method, body diagrams can be derived by pasting organs into one of the "plain" body images shown below. This method requires a graphics editor that can handle transparent images, in order to avoid white squares around the organs when pasting onto the body image.
Taken at City Studios in Stockholm, September 29, 2011, with assistance from KYO (The organisation of life models) in Stockholm. Both models have consented to the licence of the image, and its usage in Wikipedia. Derivatives File:Anterior view of human female and male, without labels.jpg
Three Studies of the Male Back is a 1970 oil-on-canvas triptych by the British painter Francis Bacon. Typical of Bacon's figurative but abstract and distorted style, it depicts male figures isolated within flat nondescript interior spaces. Each figure is a portrait of Bacon's lover George Dyer. There are similarities and differences between the ...