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This is a non-diffusing parent category of Category:19th-century Australian women painters The contents of that subcategory can also be found within this category, or in diffusing subcategories of it.
Henry Leonardus van den Houten (1801–1879): Dutch-Australian painter, lithographer and art teacher; Valma Howell (1896–1979): painter, actress; Laurence Hotham Howie (1876–1963): South Australian sculptor, painter, and art teacher; John Howley (1931–2020): painter; Frank Hurley (1885–1962): photographer, filmmaker and adventurer
In 2014/15 there was a rediscovery of colonial art at auction. Affordable 20th-century rural scene painting is buoyant. While the inflated northern hemisphere art markets had anticipating a massive correction in the Australian art market which transitioned to the middle market.
The Heidelberg School was an Australian art movement of the late 19th century. It has been described as Australian impressionism. [1] Melbourne art critic Sidney Dickinson coined the term in an 1891 review of works by Arthur Streeton and Walter Withers, two local artists who painted en plein air in Heidelberg on the city's
It includes Australian painters that can also be found in the parent category, or in diffusing subcategories of the parent. Pages in category "19th-century Australian women painters" The following 21 pages are in this category, out of 21 total.
Streeton's paintings are amongst the most collectible of Australian artists and attracted high prices during his lifetime. Golden Summer, Eaglemont sold for around 1000 guineas in 1924 and in 1995 it was bought in a private sale by the National Gallery of Australia for A$ 3.5 million, both times setting a sales record for an Australian painting.
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