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Chu Đậu village in Hải Dương province was the major ceramic manufacturer [26] From 1436 to 1465, China’s Ming dynasty abruptly ceased trade with the outside world, creating a commercial vacuum that allowed Vietnamese blue-and-white ceramics to monopolize the markets for sometimes, especially in Maritime Southeast Asia.
Jingdezhen dish of typical shape. Width: 18 5/8 in. (47.3 cm). For profile view see below. Kraak ware or Kraak porcelain (Dutch Kraakporselein) is a type of Chinese export porcelain produced mainly in the late Ming dynasty, in the Wanli reign (1573–1620), but also in the Tianqi (1620–1627) and the Chongzhen (1627–1644). [1]
The knowledge of the Chinese methods of the lacquer process spread from China during the Han, Tang and Song dynasties, [18] eventually it was introduced to Korea, Japan. [18] In Japan, the art of lacquerware-making came along with Buddhism and other cultural artifacts from China via the Korean Peninsula during the 8th century, [19] and carved ...
Small cup with the "Five Treasures", Chenghua reign mark, 2.9 × 7 cm, PDF.767. Doucai (Chinese: 斗彩; Wade–Giles: tou-ts'ai) is a technique in painting Chinese porcelain, where parts of the design, and some outlines of the rest, are painted in underglaze blue, and the piece is then glazed and fired.
The Japanese Zen monk painter Sesshū Tōyō (Japanese: 雪舟等楊) travelled to Ming China, and stayed for about 10 years in Ming China learning painting. He was heavily influenced by the ink and wash painting, Zhejiang School of painting and the Yuanti School of painting.
Treck, showing late Ming blue and white porcelain export bowls, 1649. As valuable and highly prized possessions, pieces of Chinese export porcelain appeared in many 17th century Dutch paintings. [9] A still life by Jan Jansz. Treck includes two Kraak-style bowls, probably late Ming, one in the foreground of a type the Dutch called klapmuts. The ...
A recently excavated Ming princely burial has yielded the first example to survive until modern times of a type of gaiwan set known from 15th-century paintings. There is a blue and white Jingdezhen stem cup, that has a silver stand and a gold cover (this dated 1437), all decorated with dragons.
Willem Kalf - Still-Life with a Late Ming Ginger Jar - WGA12080. In the history of seventeenth-century trade, few things can compete with the prominent position of porcelain. Before the discovery of its making technique in the West, commercial activity between Europe and China was the only way to possess them.
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