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"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
List of Brontë poems; List of poems by Ivan Bunin; List of poems by Catullus; List of Emily Dickinson poems; List of poems by Robert Frost; List of poems by John Keats; List of poems by Philip Larkin; List of poems by Samuel Taylor Coleridge; List of poems by Walt Whitman; List of poems by William Wordsworth; List of works by Andrew Marvell
Poems on Various Subjects, Religious and Moral by Phillis Wheatley, Negro Servant to Mr. John Wheatley, of Boston, in New England (published 1 September 1773) is a collection of 39 poems written by Phillis Wheatley, the first professional African-American woman poet in America and the first African-American woman whose writings were published. [3]
The influence of the Christian monks who copied it upon the traditional material in the poems may thus be seen. In addition to providing moral guidance and precepts for everyday life, both "Maxims" poems "organize things and people into categories, catalogue trade rules, and list things as diverse as skills, fates, and rune names". [11]
Three of the best-known poems in the collection are "Praise for Creation and Providence", "Against Idleness and Mischief", and "The Sluggard". [3] "Praise for Creation and Providence" (better known as "I sing the mighty power of God") is now a hymn sung by all ages. [4] "Against Idleness and Mischief" and "The Sluggard" (better known as "How ...
Poems of the Imagination (1815–1843); Miscellaneous Poems (1845–) 1798 Her eyes are Wild 1798 Former title: Bore the title of "The Mad Mother" from 1798–1805 "Her eyes are wild, her head is bare," Poems founded on the Affections (1815–20); Poems of the Imagination (1827–32); Poems founded on the Affections (1836–) 1798 Simon Lee 1798
Manuscript copy of lines 153–174, later revised as lines 150–171 [15]. The Vanity of Human Wishes is a poem of 368 lines, written in closed heroic couplets.Johnson loosely adapts Juvenal's original satire to demonstrate "the complete inability of the world and of worldly life to offer genuine or permanent satisfaction."
Many of the Graveyard School poets were, like Thomas Parnell, Christian clergymen, and as such they often wrote didactic poetry, combining aesthetics with religious and moral instruction. [3] They were also inclined toward contemplating subjects related to life after death, [ 4 ] which is reflected in how their writings focus on human mortality ...