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Franz Anton Hoffmeister was born in Rottenburg am Neckar, Further Austria, on 12 May 1754.At the age of fourteen, he went to Vienna to study law.Following his studies, however, he decided on a career in music and by the 1780s he had become one of the city’s most popular composers, with an extensive and varied catalogue of works to his credit.
12 Etudes for solo viola. Richard Hofmann (1844–1918) [1] Acht Übungs- und Vortrags-Stücke (8 Exercise and Lecture Pieces) for violin and viola, Op. 82 (1892) Die ersten Etüden für Viola: Zwanzig Studien in der ersten Lage (The First Etudes for Viola: 20 Studies in First Position) for viola solo, Op. 86 (1893)
Ba Be Bi Bj Bl Bo Br Bu By B Ba Vahram Babayan (born 1948) Sonata for viola and piano, Op. 88 (1985) Sonata for viola solo, Op. 127 (2000) Milton Babbitt (1916–2011) Composition for viola and piano (1950); Associated Music Publishers Inc. Mehr “Du” for soprano, viola and piano (1991); C. F. Peters Play It Again, Sam for viola solo (1989); C. F. Peters Soli e Duettini for violin and viola ...
A viola concerto is a concerto contrasting a viola with another body of musical instruments such as an orchestra or chamber music ensemble. Throughout music history, especially during the Baroque , Classical , and Romantic eras, viola was viewed mostly as an ensemble instrument.
Henrique Oswald (1852–1931): Trois Etudes pour piano, plus three independent études; Rafael Joseffy (1852-1915): School of Advanced Piano Playing; Moritz Moszkowski (1854–1925): three concert studies (Op. 24), Ecole des doubles notes (Op. 64), 15 Études de Virtuositié (Op. 72), 12 studies for the left hand alone (Op. 92), and 20 technical studies (Op. 91).
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Ernst Eichner (1740–1777): In addition to flute quartets he wrote a set of six quartets, not for the usual instrument combination of 2 violins, viola, and cello, but for violin, viola, cello and double bass: Sechs Quartette (6 Quartets) Op. 12 (published 1776–77). Giovanni Paisiello (1740–1816): Nine string quartets.
While in Paris, he published some of his first compositions, which were well received. In 1788 he made a visit to London, where he played the viola in Saloman's quartet. Fiorillo made his last public appearance in London in 1794, when he performed a concerto for the viola at the Antient Concert.