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The Woman Taken in Adultery is a painting of 1644 by Rembrandt, bought by the National Gallery in London in 1824, as one of their foundation batch of paintings. It is in oil on oak, and 83.8 x 65.4 cm. [1] Rembrandt shows the episode of Jesus and the woman taken in adultery from the Gospel of Saint John.
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Jesus and the woman taken in adultery (or the Pericope Adulterae) [a] is considered by many to be a pseudepigraphical [1] [2]: 489 passage found in John 7:53–8:11 [3] of the New Testament. In the passage, Jesus was teaching in the Temple after coming from the Mount of Olives .
For paintings of a considerable size, such as Christ and the Woman Taken in Adultery, wooden shafts of up to 10 metres in length were constructed, on which the paintings were wound. The restoration artists were meticulous in their approach, ensuring that the paint layer was not wrinkled, as this could potentially cause damage.
Bruegel depicts the woman as one of the few graceful figures in the scene. She is rendered as an idealised form, atypical of Brugel's usual earthy and homely female figures; [3] though the basic layout of the composition is Netherlandish, "the austere composition and monumental figures are perhaps the most Italianate in all Bruegel's paintings". [4]
Christ and the Adulteress (German: Christus und die Ehebrecherin), also titled Christ and the Woman Taken in Adultery, or The Adulteress before Christ, is an oil painting by Titian, made about 1520, in the Kunsthistorisches Museum, Vienna, depicting Jesus and the woman taken in adultery.
The painting was influenced by Beckmann's study of German Renaissance painters, especially Matthias Grünewald. It is a free interpretation of the episode of the Gospel of John, when Jesus saved a woman taken in adultery from those who wanted to stone her. Jesus appears at the center of the composition, having the adulteress, wearing a red veil ...
2005-09-01 22:37 Wetman 600×472× (73405 bytes) 'Christ and the Woman taken in adultery" by [[Guercino]], 1621, [[Dulwich Art Gallery]] Licensing This is a faithful photographic reproduction of a two-dimensional, public domain work of art.
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