Search results
Results from the WOW.Com Content Network
A group of Black and Tans and Auxiliaries outside the London and North Western Hotel in Dublin following an IRA attack, April 1921 "Come Out, Ye Black and Tans" is an Irish rebel song, written by Dominic Behan, which criticises and satirises pro-British Irishmen and the actions of the British army in its colonial wars.
Over the years, a number of bands have performed "crossover" music, that is, Irish rebel lyrics and instrumentation mixed with other, more pop styles. Damien Dempsey is known for his pop-influenced rebel ballads and bands like Beltaine's Fire and Kneecap combine Rebel music with Political hip hop and other genres. [citation needed]
The song is based on a real event in April 1921. An Irish Republican Army unit needed transport to a town over fifty miles away, but had no car to carry them. They decided to call out Henry M. Johnston, a doctor based in Stranorlar, and then ambush him and his car at a bridge and commandeer the car for the IRA.
Óró, sé do bheatha abhaile or Óró, sé do bheatha 'bhaile ([ˈoːɾˠoː ʃeː d̪ˠə ˈvʲahə ˈwalʲə]) is a traditional Irish song that came to be known as a rebel song in the early twentieth century. Óró is a cheer, whilst sé do bheatha 'bhaile means "you are welcome home".
The song describes a veteran of the Easter Rising telling a young man about his old comrades in the Irish Republican Army. Each chorus ends with the Irish language phrase "a ghrá mo chroí (love of my heart), I long to see, the Boys of the Old Brigade". [2] [3] Oh, father why are you so sad On this bright Easter morn' When Irish men are proud ...
"Down by the Glenside" (Roud 9266, also known as "The Bold Fenian Men") is an Irish rebel song written by Peadar Kearney, an Irish Republican and composer of numerous rebel songs, including "The Soldier's Song" ("Amhrán na bhFiann"), now the Irish national anthem, and "The Tri-coloured Ribbon".
In Ireland, a rebel song is a folk song whose lyrics extol the deeds of actual or fictional participants in any of the various armed rebellions against English, and later British, rule in Ireland. Songs about older rebellions were long popular with most Irish nationalists ; more recent songs are associated with supporters of physical force ...
The Peeler: A policeman of the Royal Irish Constabulary, the Peeler is used to lampoon the absurd laws and regular abuses of powers under colonialism. His arrogant statements and bizarre logic, as well as the she-goat's revelation that he is a drunkard and a corrupt policeman, demonstrate he is the true target of the song's satire.