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Ayida-Weddo is symbolized by the rainbow, snake, thunderbolt, and white paquet congo. [6] When represented in art, she is often depicted as a serpent consuming its own tail. [2] [13] In veves, she is invariably portrayed alongside Damballa as one of two dancing or intertwined serpents. White, as the purest color, represents her in ceremony.
This included Netotiliztli, which had symbolic, spiritual choreography. Netotiliztli, which loosely translates to "expressed by dance," was a communicative dance of worship and rejoice practiced by the Mexica. [6] It was performed by dancers, who could be any member of society, as all members of Nahua society were educated in song and dance.
Dances and dancing of this kind is seen as opportunity to develop participants' spiritual awareness, hand-eye-body coordination, and competency in harmonizing with others through dance. Many dances are choreographed with movements, steps, and gestures encouraging dancers to explore for deeper mystical meanings of the dance. [6]
Damballa is said to be the sky father and the primordial creator of all life, or the first thing created by the Bondye.In those Vodou societies that view Damballa as the primordial creator, he created the cosmos by using his 7000 coils to form the stars and the planets in the heavens and to shape the hills and valleys on Earth.
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
The monk, dressed in a black robe and a black hat, danced outside the palace until he was allowed to perform in front of the emperor, then assassinated him. [8] It is a dance symbolising the victory of good over evil. [9] The Black Hat dance is a Vajrakilaya dance and is the dance most frequently depicted in paintings. [10]
The Balinese Sacred Dance Sanghyang Dedari involves girls being possessed by hyang, Bali, Indonesia. The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses ...
Dihosana is a traditional dance by Kalanga people or Ikalanga people which existed for a long period of time. Dihosana involves the invitation of ancestors through trance to pray for rain. It is a rain making dance. [1] Dihosana is a dance heritage which has been inherited from the fore fathers by those practising it.