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The Croatian interlace or Croatian wattle, known as the pleter or troplet in Croatian, is a type of interlace, most characteristic for its three-ribbon pattern. It is one of the most often used patterns of Croatian pre-Romanesque art and architecture .
The Order of the Croatian Interlace or Order of the Early Croatian three-strand pattern (Croatian: Red hrvatskog pletera) is the seventeenth most important medal given by the Republic of Croatia. The order was founded on 1 April 1995. The medal is awarded for advancement of progress and reputation of Croatia and the welfare of its citizens. [1]
The Croatian interlace (Croatian: pleter or troplet) is a type of interlace, most characteristic for its three-ribbon pattern. It is one of the most often used patterns in early medieval Croatian art , where ornamental strings are sometimes grouped together with animal and herbal figures.
A tricolour of red, white, and blue with the Ustaše symbol in top-left corner (letter "U" surrounded by Croatian interlace) and the Croatian coat of arms (but with the first field white, as opposed to red) in the center. The flag used Ustaše colors, proportions 2:3. 1941–1945: Variant of the state flag of the NDH
Croatian interlace was originally painted, usually every string would be coloured brightly yellow, red or blue. Since the wall paintings that are mentioned in several literal sources (like the portraits of Trpimirović dynasty in church of St. George in Putalj above Kaštel Sućurac ) are not preserved, they are only type of pre-Romanesque ...
Interlace and knotwork are often found in Byzantine art, continuing Roman usage, but they are not given great prominence. One notable example of a widespread local usage of interlace is the three-ribbon interlace found in the early medieval Croatia on stone carvings from the 9th to 11th centuries.
You stop dead in your tracks. Your heart races, heat rushes to your face, and your mouth goes dry. Is it…? You inch closer, barely trusting what you’re seeing. Yes. Yes, it is. You’ve just ...
A chess pattern is observed in the architraves of a number of medieval churches in Croatia, including St. John of Nimfa in Pula, St. Vid at the Kaštel in Pula, and St. John in Biskupija at Pomer, where the motif can appear together with or instead of the Croatian interlace. [5]