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According to AllMusic's Tom Maginnis, "On Your Radio" was written by Jackson as an "honest yet cutting kiss-off to all those who ever doubted him". [1] The song condemns Jackson's enemies of the past in lyrics such as "Ex-friends, ex-lovers, and enemies/I've got your cases in front of me today/All sewn up/Ex-bosses you never let me be/I got your names and your numbers filed away/I've grown up."
Musixmatch has signed agreements with publishers such as EMI Publishing, Warner/Chappell Music, [10] Universal Music Publishing, Sony ATV, Kobalt, Peer Music and Disney Music. [ 11 ] The company provided Spotify 's lyrics user interface on Spotify Desktop [ 12 ] until this service was discontinued in May 2016, [ 13 ] and again after November ...
I'm the Man is the second album by English musician Joe Jackson, released in October 1979. [1] Released shortly after Jackson's breakthrough debut, Look Sharp! , I'm the Man saw Jackson continue the style of his earlier album.
"I'm the Man" is a song by American hip hop recording artist 50 Cent, released on December 4, 2015 as the third single from his eleventh mixtape, The Kanan Tape (2015). [1] The hip hop song features vocals and production from Sonny Digital . [ 2 ]
He decided to go for speed and warm up for Monday’s record attempt by completing the most burpee pull ups in one minute (26) on the set of Good Morning America on Dec. 1. On the show, he was ...
"Man in the Box" is a song by the American rock band Alice in Chains. It was released as a single in January 1991 after being featured on the group's debut studio album, Facelift (1990). It peaked at No. 18 on Billboard 's Mainstream Rock chart and was nominated for a Grammy Award for Best Hard Rock Performance in 1992.
I'm the Man is the second EP by American metal band Anthrax, released in 1987 by Megaforce Worldwide/Island Records (although the song was supposedly written three years before). [4] The band, along with Eddie Kramer and Paul Hammingson, produced the EP, which includes the single "I'm the Man".
The Edmonton Journal wrote that "the double-time pulse of his music owes more to Louisiana shuffles than the 1-4-5 progression of Chicago blues." [3] The Chicago Tribune noted that, "instead of utilizing Gulf Coast grooves, Vernon furnishes his charge with pop-slanted material reminiscent of Robert Cray's crossover strategy that adeptly showcases Robertson's soulful vocals."