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In literature, psychological fiction (also psychological realism) is a narrative genre that emphasizes interior characterization and motivation to explore the spiritual, emotional, and mental lives of its characters. The mode of narration examines the reasons for the behaviours of the character, which propel the plot and explain the story. [1]
Psychological drama, or psychodrama, [1] is a subgenre of drama and psychological fiction literatures that generally focuses upon the emotional, mental, and psychological development of the protagonists and other characters within the narrative, which is highlighted by the drama.
Agnes Day is a play on the Latin religious phrase agnus Dei, "lamb of God". Libby Doe is a play on the word "libido", borrowed from Latin by Freud to mean the inner impulse-driven part of the psyche. Gloria Mundy is a play on the Latin religious phrase Sic transit gloria mundi, or "Thus passes the glory of the world."
Calpurnia (play) Catch-22 (play) Children of the Ghetto (1899 play) Chimneys (play) A Christmas Carol; or, Past, Present, and Future; Colonel Newcome (play) The Corsican Brothers (play) The Countess of Salisbury (play) Crime and Punishment (play) The Crucifer of Blood; The Curious Incident of the Dog in the Night-Time (play)
This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources. Novellas are works of prose fiction longer than a short story but shorter than a novel. Several novellas have been recognized as among the best examples of the literary form. Publishers and literary award societies typically consider a ...
Pariah (play) Philip Glass Buys a Loaf of Bread; Piranha Heights; The Pitchfork Disney; The Poltergeist (play) Post-Mortem (Coward play) The Pot Maker; Prairie du Chien (play) The Problem (play) Prodigals (play) A Provincial Lady; Purgatory (drama) The Purple Flower
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The Flying Machine: A One-Act Play for Three Men (1953), by Ray Bradbury; Fools (1981), by Neil Simon; Fortitude (1968), by Kurt Vonnegut; Frankie and Johnny in the Clair de Lune (1982), by Terrence McNally; The Frog Prince (1982), by David Mamet; The Front Page (1928), by Ben Hecht and Charles MacArthur; Fugitive Kind (1937), by Tennessee Williams