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A marímbula, the "bass" instrument used by changüí ensembles. Some groups used the more rudimentary jug known as botija or botijuela.. Although the history of Cuban music dates back to the 16th century, the son is a relatively recent musical invention whose precursors emerged in the mid-to-late 19th century.
After the festival, the city of La Vega gave him a certificate of recognition declaring him an "Adopted Son" of the city. Thereafte,r he began appearing on various programs on Dominican television. In 1973 and 1975, he participated in the second and third Festival International de la Canción y de la Voz of Puerto Rico , respectively, being ...
In December of the same year, he released music videos for the songs "Y Nos Dieron Las Diez" and "Me Gustas". The audio singles were released later on in 2022. On April 22, 2022, he released he would once again be featured in another historic collaboration for his genre as he would be featured in the song "Como Da Vueltas La Vida" with ...
www.iasorecords.com - Dominican Music, articles, music & video clips - bachata, merengue, Afro-Dominican, and more. www.BachataRadio.com - Bachata, Merengue y mas! Musica en Demanda y en Vivo, Listen to the Music of the Dominican Republic. All about Merengue Típico / Perico Ripiao; Popular Afro-Dominican Group in the United States
The origins of Merengue dance are unclear, to say the least but the city of Navarrete is believed to be the exact place of origin of merengue tipico;. [4] The musician Nico Lora, a native of that town, perfected it and is the author of many well known merengue themes as old as 100 years .
In 1974, Pacheco replaced El Conde (who went on a successful solo career) with Héctor Casanova and renamed his band Pacheco y su Tumbao Añejo ("Pacheco and his old tumbao", as opposed to his previous band "the new tumbao"). [10] They released El maestro in 1975 and El artista in 1977. However, Pacheco's focus during the 1970s, apart from the ...
Merengue became popular in the United States, mostly on the East Coast, during the 1980s and 90s, [96] when many Dominican artists, among them Victor Roque y La Gran Manzana, Henry Hierro, Zacarias Ferraira, Aventura, Milly, and Jocelyn Y Los Vecinos, residing in the U.S. (particularly New York City) started performing in the Latin club scene ...
Their marketing efforts included a $300,000 national TV advertising campaign for the U.S., including Puerto Rico, (consisting of 30 and 60 second spots) and a $17,000 video filmed in Miami. [1] This marketing campaign was the first time for such in a bachata group; prior to that all marketing had concentrated on compilation albums. [ 1 ]