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In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
Learning traditional music begins with incentive and desire to fully share in the life of the village as almost every occasion of life including play songs for children, the girls' and boys' umtshotsho song as they grow, the intlombe dance parties, songs and dances of initiation practices, ancestor songs and beer songs.
"Shosholoza" is a traditional miner's song, originally sung by groups of men from the Ndebele ethnic group that travelled by steam train from their homes in Zimbabwe (formerly known as Rhodesia) to work in South Africa's diamond and gold mines.
The music of West Africa has a significant history, and its varied sounds reflect the wide range of influences from the area's regions and historical periods. Traditional West African music varies due to the regional separation of West Africa, yet it can be distinguished by two distinct categories: Islamic music and indigenous secular music.
The song is known world-wide thanks to the interpretation of South African singer Miriam Makeba (herself a Xhosa). In her discography the song appears in several versions, both with the title Qongqothwane and as The Click Song. The song was written and originally performed by The Manhattan Brothers who made it famous across Africa. Miriam was ...
Indodana" is a traditional isiXhosa song which has been arranged for choral performance by South African composers Michael Barrett and Ralf Schmitt. [ 1 ] [ 2 ] The lyrics, translated into English, are: "The Lord has taken his son who lived amongst us / The Son of the Lord God was crucified / Father Jehovah".
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Zenzile Miriam Makeba was said to have been one of the most influential and popular musicians of Africa, beginning in the 1950s. She was a part of three bands, including one all-woman band and two others. She performed all types of jazz music, traditional African music, and music that was popular in Western Africa at the time.