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"Eldorado" is the title track from the 1974 album of the same name by the Electric Light Orchestra (ELO). The song was used as the B-side of the United States single " Boy Blue " in 1975 and later as the flip side to the UK hit single " Wild West Hero " in 1978.
Eldorado is the first complete ELO concept album; bandleader Jeff Lynne conceived the storyline before he wrote any music. [2] The plot follows a Walter Mitty-like character who journeys into fantasy worlds via dreams, to escape the disillusionment of his mundane reality. Lynne began to write the album in response to criticisms from his father ...
The Language of Music (2012) is a contemporary music theory book written by Tom Brooks and published by Hal Leonard Publishing. [1] The book explains principles used in modern music starting at a foundational level (Basic Building Blocks of Music) and progressing to topics such as Chord Building, Transposition, Cadences, Modes, and Chord Substitution. [2]
In 1993 Eldorado, along with "Hymn" and "Evening Star", was adapted by Jonathan Adams as Three Songs from Edgar Allan Poe for SATB chorus and piano. [citation needed] The composer John Adams also composed an Eldorado symphony. [citation needed] In popular music, the poem was used in 1996 for the lyrics of a Donovan song on his album Sutras.
The concept album Eldorado (1974) saw the first time that an orchestra was used, where previously Lynne would overdub strings. [5] The presence of an orchestra would be a common part of future ELO albums. [5] The 1975 album Face the Music moved away from symphonic concept elements of Eldorado in favor of more radio friendly songs. [6]
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
For example, Berklee Music Theory - Book 2 recommends the following accompaniment for a given lead sheet, [2] while this progression does not occur in common practice theory since all the chords are seventh chords and unprepared dissonant. Accompaniment acceptable in the Berklee method [2] but not in common practice theory. Play ⓘ
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...