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Ghulam Hamdani Mushafi, the poet first believed to have coined the name "Urdu" around 1780 AD for a language that went by a multiplicity of names before his time. [1] Mirza Muhammad Rafi, Sauda (1713–1780) Siraj Aurangabadi, Siraj (1715–1763) Mohammad Meer Soz Dehlvi, Soz (1720-1799) Khwaja Mir Dard, Dard (1721–1785)
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [9] However, in the matla, the first she'r of a ghazal, the radif will end both lines of the she'r. [8] The qaafiya is a rhyming syllable that precedes ...
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Ismail Merathi (1844–1917) was an Indian Urdu poet, schoolteacher, and educationist from the Mughal–British era. His poems for children like Nasihat, Barsaat, Humaari Gaye, Subah Ki Aamad, Sach Kaho, Baarish Ka Pehla Qatra, Pan Chakki, Shafaq, and several others are part of the primary school curriculum in Pakistan. [1]
Hakim Ahmad Shuja – Pakistani Urdu and Persian poet (1893–1969) Iftikhar Arif – Pakistani poet and litterateur (born 1944) Jaun Elia – Pakistani poet (1931–2002) Jawayd Anwar – Pakistani poet and writer (1959–2011) Josh Malihabadi – Indian poet (1898–1982) Kishwar Naheed – Pakistani writer
Faiz Ahmad Faiz [a] MBE NI (13 February 1911 – 20 November 1984) [2] was a Pakistani poet and author of Punjabi and Urdu literature. Faiz was one of the most celebrated, popular, and influential Urdu writers of his time, and his works and ideas remain widely influential in Pakistan and beyond. [3]
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
Raz is noted for repeatedly playing with the Urdu word aa'ina [mirror in English] in his poetry, and integrating it into his work in different ways. Poet and reviewer Afsar Mahpuri notes in his article, "Rafiuddin Raaz – A dreaming poet," the "focal position and importance" that the mirror has been awarded over time, and presents the following partial list of couplets, containing the word aa ...