Search results
Results from the WOW.Com Content Network
Fearing the impacts of a lack of music on humanity, the Doctor has Ruby play a song on a piano which summons Maestro, who emerges from the piano while laughing. The Doctor recognises this laugh as the same as the Toymaker's giggle. [a] After escaping Maestro, the Doctor takes Ruby back to 2024, discovering the ruins of London in a nuclear ...
[4] [5] The composition is instrumental except for the spoken line from drummer Nick Mason, "One of these days, I'm going to cut you into little pieces." It features double-tracked bass guitars played by David Gilmour and Roger Waters , [ 5 ] with each bass hard panned into one channel of stereo, but one bass sound is quite muted and dull.
Each half-hour video featured around 10 songs in a music video style production starring a group of children known as the "Kidsongs Kids". They sing and dance their way through well-known children's songs, nursery rhymes and covers of pop hits from the '50s, '60s, '70s and '80s, all tied together by a simple story and theme.
Norman is famous for writing the music to the first James Bond movie Dr No, and has been credited with writing the "James Bond Theme", the signature theme of the James Bond franchise. Norman has received royalties since 1962 for the theme, but it was arranged by John Barry after the producers were dissatisfied with Norman's music.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Help; Learn to edit; Community portal; Recent changes; Upload file
Ronald Erle Grainer (11 August 1922 – 21 February 1981) was an Australian composer who worked for most of his professional career in the United Kingdom. He is mostly remembered for his television and film score music, especially the theme music for Doctor Who, The Prisoner, Steptoe and Son and Tales of the Unexpected.
American instrumental rock musical groups (56 P) Pages in category "American instrumental musical groups" The following 99 pages are in this category, out of 99 total.
"Doctor Robert" uses the keys of A major and B major, [17] and its melody is in the Mixolydian mode based on B. [18] The musical arrangement has staggered layering, with backing vocals starting in the second verse, the lead guitar entering just before the bridge, and the bridge itself featuring added harmonium and extra vocals.