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"Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Called "a stark and haunting work", [ 1 ] it is one of Dixon's best known and most interpreted songs. [ 2 ]
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
"Spoonful" Released: July 18, 1960 ... Howlin' Wolf is the second album from the Chicago blues singer/guitarist ... Howlin' Wolf – lead vocals, guitar, harmonica ...
According to Sumlin, Howlin' Wolf sent him to a classical guitar instructor at the Chicago Conservatory of Music to learn keyboards and scales. [6] Sumlin played on the album Howlin' Wolf (called the "rocking chair album", with reference to its cover illustration), which was named the third greatest guitar album of all time by Mojo magazine in ...
Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
Marshall Chess referred to Howlin' Wolf's dislike of the arrangements on the album's cover. [7] [10] Howlin' Wolf took exception to the blurb, as he had enthusiastically adopted the use of electric guitar, and had led the first entirely electric blues combo in West Memphis in the early 1950s. [3] Howlin' Wolf stated that the album was "dog shit".
Howlin' Wolf recorded the song in June 1960 in Chicago during the same sessions that produced "Back Door Man" and "Spoonful". [10] Backing Howlin' Wolf on vocals are Otis Spann on piano, Hubert Sumlin on guitar, Dixon on bass, and Fred Below on drums. [10] Freddy King has been identified as possibly a second guitarist. [10]
Howlin' Wolf reworked the song as a Chicago blues, which Chess Records issued as a single in 1957 and later included on the popular compilation series The Real Folk Blues (1966). [7] For the recording, he was backed by a typical blues ensemble consisting of electric guitar ( Hubert Sumlin ), piano (Hosea Lee Kennard), bass (Alfred Elkins), and ...