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In late medieval Europe, tapestry was the grandest and most expensive medium for figurative images in two ... Much is unclear about the early history of tapestry, as ...
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
The tapestries were very probably woven in Brussels, [10] which was an important center of the tapestry industry in medieval Europe. [11] An example of the remarkable work of the Brussels looms, the tapestries' mixture of silk and metallic thread with wool gave them a fine quality and brilliant color. [12]
A scene from the Bayeux Tapestry depicting Bishop Odo rallying Duke William's army during the Battle of Hastings in 1066. The Bayeux Tapestry [a] is an embroidered cloth nearly 70 metres (230 feet) long and 50 centimetres (20 inches) tall [1] that depicts the events leading up to the Norman Conquest of England in 1066, led by William, Duke of Normandy challenging Harold II, King of England ...
The Devonshire Hunting Tapestries are a group of four medieval tapestries, probably woven in Arras, Artois, France, between about 1430 and 1450. [1] The tapestries are known as Boar and Bear Hunt, Falconry, Swan and Otter Hunt, and Deer Hunt .
The Lady and the Unicorn: À mon seul désir (Musée national du Moyen Âge, Paris). The Lady and the Unicorn (French: La Dame à la licorne) is the modern title given to a series of six tapestries created in the style of mille-fleurs ("thousand flowers") and woven in Flanders from wool and silk, from designs ("cartoons") drawn in Paris around 1500. [1]
I had my own little stage on which to play out the thrilling stories I was discovering from the rich tapestry of medieval history. (Speaking of tapestries, when I turned 7 the following August, I ...
The company's Pomona (1885) and The Achievement of the Grail (1895–96) tapestries demonstrate an adherence to the medieval millefleur style. Other tapestries such as their The Adoration of the Magi (1890) and The Failure of Sir Gawain (c. 1890s) use the style more liberally, borrowing the flowers' often flat, splayed appearance, but ...
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