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The following is a list of notable organists from the past and present who perform organ literature ... Philip Knapton (1788–1833) Gerald Knight (1908–1979)
In retirement Moore was appointed Organist Emeritus of York Minister and served for some time as organist of his local church, St Michael's, Barton-le-Street. [1] He has also been a visiting artist and associate organist at Christ Church, Greenwich, in Connecticut, USA, [4] [5] having composed several pieces for the church's choirs. [6]
2003−2004: Richard Hills (later organist of St Mary's, Bourne Street, London) 2004−2006: Ian Keatley (later organist at Christ Church Cathedral, Dublin) 2006−2007: Simon Jacobs; 2007−2008: Benjamin Chewter (later assistant organist at Lincoln Cathedral, then assistant organist at Chester Cathedral) 2008−2009: Léon Charles
Several early sources clearly specify the use of organ in free works, such as the Ileborgh Tablature of 1448, which in the third praeambulum has the first known indication for pedal notes. Eras of composition are roughly categorized as follows: Medieval: before 1440; Renaissance: 1440–1600; Baroque: 1600–1750; Classical: 1750–1810
He seems to have been one of the pioneers of the British organ recital: prior to his time, entertainment was not considered appropriate for a church building. Despite a reputation as the best improviser on the organ in England, he never succeeded in obtaining an organist's post though he applied to the Foundling Hospital both in 1798 and 1813 ...
Philip Marshall (born Joseph Philip Marshall; 1921–2005) [1] was an English cathedral organist and composer. Kenneth Shenton of The Guardian praised his color and improvisational skills. Kenneth Shenton of The Guardian praised his color and improvisational skills.
Philip W. J. Stopford (born 1977) is an English organist and composer best known for his choral works. [1] Philip Stopford, choral composer (2024) Early life and training
He also replaced him as organist of Magdalen College, Oxford, and the University Church, and added the post of organist at St John's College in 1790. [ 1 ] His professorial ‘lectures’ took the form of specially composed odes and oratorios which were performed in the Oxford Music School.
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