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Rent parties not featuring either jazz or specifically African American crowds are featured in the plots of movies set in New York during the 1980s and 1990s such as Party Girl (starring Parker Posey). The song "House Rent Party" (1955) by Babs Gonzales and The Waldos' 1994 album Rent Party are references to the practice.
The 1920s were prosperous years for Los Angeles, California, United States, when the name "Hollywood" became synonymous with the U.S. film industry and the visual setting of Los Angeles became famous worldwide. Plentiful job openings attracted heavy immigration, especially from the rural Midwest and Mexico.
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) [1] was an American blues singer, pianist, and entertainer during the Harlem Renaissance.. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer.
Electric blues [137] Lefty Bates: 1920 2007 Alabama Chicago blues [138] Carey Bell: 1936 2007 Mississippi Chicago blues [139] Buster Benton: 1932 1996 Arkansas Chicago blues [140] Roy Book Binder: 1943 New York Acoustic blues [141] Elvin Bishop: 1942 California Electric blues [142] Bobby Bland: 1930 2013 Tennessee Soul blues [143] Rory Block ...
The New York city council enacts a set of restrictions on music performance, intending to crack down on cabarets. The restrictions hamper the city's musical life until their repeal in 1988. [160] The Los Angeles newspaper Rafu Shimpo begins documenting Japanese music in that city. [97] New York's Savoy Ballroom opens, with Chick Webb as
Feb. 6—HUGHESVILLE — The 34th Annual Billtown Blues Festival officially begins Friday, June 21 at 6:00 p.m. The music continues starting noon on Saturday, June 22, offering world class blues ...
While musicians flocked to Los Angeles hoping for high-paying recording work, fewer than 200 new jobs were created by the technology. To help musicians find fair pay and union jobs, the AFM created a booking-agent licensing policy in 1936, and in 1938, developed a similar program for licensing record companies.
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