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Baroque pop (sometimes called baroque rock) is a fusion genre that combines rock music with particular elements of classical music. [1] [4] [5] It emerged in the mid-1960s as artists pursued a majestic, orchestral sound [4] and is identifiable for its appropriation of Baroque compositional styles (contrapuntal melodies and functional harmony patterns) and dramatic or melancholic gestures. [3]
Harpsichords figure prominently, [2] [3] while oboes, French horns, and string quartets are also common. [3] It emerged in the mid 1960s as artists pursued a majestic, orchestral sound. [ 3 ]
Musicians who play the harpsichord are known as harpsichordists. This list includes post 19th-century harpsichordists. This list includes post 19th-century harpsichordists. Notable earlier harpsichordists mostly appear on the list of Baroque composers .
Zuzana Růžičková (Czech pronunciation: [ˈzuzana ˈruːʒɪtʃkovaː]) (14 January 1927 – 27 September 2017) was a Czech harpsichordist.An interpreter of classical and baroque music, Růžičková was the first harpsichordist to record Johann Sebastian Bach's complete works for keyboard, [1] [2] in recordings made in the 1960s and 1970s for Erato Records.
During the 1960s, Kirkpatrick made recordings of the complete harpsichord works of Johann Sebastian Bach (Archiv). The instruments he used for many of these recordings were ones that had recently been made by the firm of JC Neupert in Bamberg. In the 21st century, such instruments have become known as "revival" style instruments, their features ...
It incorporated his recognizable "trademarks," i.e., the harpsichord lead and an accordion but combined them with handclaps and a brisk rock rhythm. "Calcutta" stayed atop the US pop chart for two weeks while the album, with its combination of easy listening tunes and covers of then-popular rock singles, charted at #1 for two weeks, [ 1 ...
HPSCHD premiered before an audience of 6000 on May 16, 1969, at the Assembly Hall of Urbana Campus, University of Illinois. Conceived as a highly immersive multimedia experience, the performance featured David Tudor, Antoinette Vischer, William Brooks, Ronald Peters, Yūji Takahashi, Neely Bruce and Philip Corner playing harpsichords whose sounds were captured and amplified, 208 tapes playing ...
An electric harpsichord similar to the one used for "Because" The song begins with a distinctive electric harpsichord intro played by producer George Martin. The harpsichord is joined by Lennon's guitar (mimicking the harpsichord line) played through a Leslie speaker. Then vocals and bass guitar enter.