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"Rock This Country!" is a song co-written and recorded by Canadian country music singer Shania Twain. It was the eleventh single released from her third studio album Come on Over. Written by Robert John "Mutt" Lange and Twain, "Rock This Country!" was released to North American country radio stations in late 1999.
Simpson had already sung country themed songs previous like "These Boots Are Made for Walkin'". "Come on Over" was co-written by country music artist Rachel Proctor, Victoria Banks and Simpson herself. The lyrics of the uptempo single focus on the narrator's paramour. Simpson said, "The fun thing about the song is that anxiety of wanting the ...
"Come On Over" is a Grammy award winning song co-written and recorded by Canadian country music singer Shania Twain. It was the tenth single and title track from her third studio album Come On Over (1997). It was written by Twain and her then-husband, Robert John "Mutt" Lange. "Come On Over" was originally released to North American country ...
"Rodeo Queen" is a song co-written and recorded by Canadian country music singer Jade Eagleson. He wrote the song with Daryl Scott, while longtime collaborator Todd Clark produced the track. [ 1 ] It is the second single off Eagleson's upcoming third studio album, Do It Anyway , which was released in September 2023.
Come On Over is the third studio album by Canadian singer-songwriter Shania Twain. Mercury Records in North America released it on November 4, 1997. Similar to her work on its predecessor, The Woman in Me (1995), Twain entirely collaborated with producer and then-husband Robert John "Mutt" Lange.
The success of “Texas Hold ‘Em” comes after a row erupted last week over the song’s status as a country music song, reviving a decades-long debate over the country music industry’s lack ...
When released as a single with "Bicycle Race", the song reached number 11 in the UK Singles Chart and number 24 in the Billboard Hot 100 in the US. [5] [6] The song is formed around an open bluesy, metallic guitar tuning, and opens with its chorus. [7] It was one of the few Queen songs played in an alternative guitar tuning. [8]
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