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There is a strong link between Sotho music and Sotho poetry. A Sesotho praise poet characteristically uses assonance and alliteration. Eloquence or ‘bokheleke’ is highly valued in the sotho culture and people who possess this skill are respected. The praise poetry (dithoko) is not a musical form but, it is incorporated in most Sesotho songs ...
Because of the variety of performance modes, oríkì defies classification as music or poetry, and it has been studied from both perspectives. Historically, oríkì was delivered by a specialist in a particular vocal style. [4] For example, ìjálá is acoustically open and intense, while ewì is spoken in a high-falsetto, wailing voice quality ...
A common genre in much of the neoclassical poetry was the use of the qasida, [43] as well as ghazal or love poem in praise of the poet's homeland. This was manifested either as a nationalism for the newly emerging nation states of the region or in a wider sense as an Arab nationalism emphasising the unity of all Arab people.
As the poem ends, the trance caused by the nightingale is broken and the narrator is left wondering if it was a real vision or just a dream. [24] The poem's reliance on the process of sleeping is common to Keats's poems, and "Ode to a Nightingale" shares many of the same themes as Keats' Sleep and Poetry and Eve of St. Agnes. This further ...
Muhammad. Qasīdat al-Burda (Arabic: قصيدة البردة, "Ode of the Mantle"), or al-Burda for short, is a thirteenth-century ode of praise for Muhammad composed by the eminent Shadhili mystic al-Busiri of Egypt. The poem, whose actual title is "The Celestial Lights in Praise of the Best of Creation" (الكواكب الدرية في ...
Key to the ambitions of Paradise Lost as a poem is the creation of a new kind of epic, one suitable for English, Christian morality rather than polytheistic Greek or Roman antiquity. This intention is indicated from the very beginning of the poem, when Milton uses the classical epic poetic device of an invocation for poetic
Izibongo is a genre of oral literature among various Bantu peoples of Southern Africa, including the Zulu [1] and the Xhosa. [2] While it is often considered to be poetry of praise, Jeff Opland and others consider the term "praise" (for "bonga") to be too limiting, since it can contain criticism also. [3]
The most common form of Persian poetry comes in the ghazal, a love-themed short poem made of seven to twelve verses and composed in the monorhyme scheme. [8] The qasida is another genre of Persian poetry that depicts the themes of spiritual or worldly praise, satire, or the description of a patron. In regard to Islamic poetry, the most common ...