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Roman lettering. Roman lettering or Trajan lettering[a] refers to the use by artists and signwriters of Roman capitals in modern lettering, particularly in Britain. [10][11][12][13][14][3] Around the early twentieth century, British artists in the Arts and Crafts movement led by Edward Johnston came to see Roman capitals as an attractive ...
All dialects of Old English had diphthongs, which were written with digraphs composed of two vowel letters, such as ea , eo , io . Like monophthongs, diphthongs could be short or long. Phonologically, the short versions behave like short monophthongs, and the long versions like long monophthongs. In modern texts, long diphthongs are marked with ...
Old English (Englisċ or Ænglisc, pronounced [ˈeŋɡliʃ]), or Anglo-Saxon, [1] was the earliest recorded form of the English language, spoken in England and southern and eastern Scotland in the early Middle Ages. It developed from the languages brought to Great Britain by Anglo-Saxon settlers in the mid-5th century, and the first Old English ...
The Old English Latin alphabet generally consisted of about 24 letters, and was used for writing Old English from the 8th to the 12th centuries. Of these letters, most were directly adopted from the Latin alphabet, two were modified Latin letters (Æ, Ð), and two developed from the runic alphabet (Ƿ, Þ). The letters Q and Z were essentially ...
Times New Roman is a serif typeface. It was commissioned by the British newspaper The Times in 1931 and conceived by Stanley Morison, the artistic adviser to the British branch of the printing equipment company Monotype, in collaboration with Victor Lardent, a lettering artist in The Times's advertising department.
Anglo-Saxon runes or Anglo-Frisian runes are runes that were used by the Anglo-Saxons and Medieval Frisians (collectively called Anglo-Frisians) as an alphabet in their native writing system, recording both Old English and Old Frisian (Old English: rūna, ᚱᚢᚾᚪ, "rune"). Today, the characters are known collectively as the futhorc ...
Antiqua (/ ænˈtiːkwə /) [1] is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. [2] Letters are designed to flow, and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur -style typefaces where the individual strokes are broken apart.
Thorn or þorn (Þ, þ) is a letter in the Old English, Old Norse, Old Swedish and modern Icelandic alphabets, as well as modern transliterations of the Gothic alphabet, Middle Scots, and some dialects of Middle English. It was also used in medieval Scandinavia but was later replaced with the digraph th, except in Iceland, where it survives.