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Chèo belongs to the genre of drama, with ancillary music including rhythmical music, evocative music, background music, and dance music. Hát chèo's is the stage singing, it can be sung by one person or many people on chorus. The melody of the Chèo tune is very suitable for the Vietnamese natural voice language.
Chèo is a form of generally satirical musical theatre, often encompassing dance, traditionally performed by Vietnamese peasants in northern Vietnam. It is usually performed outdoors by semi-amateur touring groups, stereotypically in a village square or the courtyard of a public building, although it is today increasingly also performed indoors and by professional performers.
Trống cơm. Trống cơm (lit. "rice drum") is a kind of traditional barrel-shaped Vietnamese drum, bearing similarities to the Chinese yaogu, and the Khmer skor sang na.It is an integral instrument in the hát bội orchestra and is also featured prominently in the Hát chèo repertoire.
The Vietnam War had a profound impact on Vietnamese music, inspiring many protest songs and influencing the development of modern Vietnamese music, the introduction of rock came with use of electric guitars to create more aggressive sound on the songs. The main genres that were common in this period were the rock ,folk and soul.
Costumes as warlords for Tuồng (Hát Bội) in Huế in 1874 Theatre actors from Nam Dinh in 20th century Vietnam. Hát tuồng (Vietnamese pronunciation: [háːt tûəŋ], Chữ Nôm: 咭從) or hát bội (Vietnamese pronunciation: [háːk ɓôjˀ], Chữ Nôm: 咭佩) [1] is a form of Vietnamese theatre.
Much of Vietnamese theatre and Vietnamese music are intertwined with each other, as well as with Vietnamese dance. Popular theatre forms such as Hát tuồng, [1] Hát chèo, [2] and Cải lương [3] all often feature dance, however these dances are performed in a liberal manner without set rules, unlike other more specific dance styles.
The office was inspired from the classical Vietnamese theater (chèo, tường). It integrates the Vietnamese poetic form and lament style known as song thất lục bát (雙七六八, literally "double seven, six eight") with an old Christian tradition of popular lament on the sorrows of Christ, which developed alongside the Via Crucis.
Phạm Thị Trân (926–976), [1] was a Vietnamese artist, dancer, opera singer and Mandarin during the Dinh Dynasty period. [2] [1] [3] Originally from Hong Chau in what is now the Hai Hung province, she was eventually invited to the royal court of the king, Dinh Tien. [4] On the king's orders, she taught the arts to soldiers. [5]