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The most usual depiction of the Trinity in Renaissance art depicts God the Father as an old man, usually with a long beard and patriarchal in appearance, sometimes with a triangular halo (as a reference to the Trinity), or with a papal tiara, specially in Northern Renaissance painting. In these depictions The Father may hold a globe or book.
The man has a furrowed brow and glinting off of his eyes. It was created during a time when Lievens etched numerous tronies (1620s and early 1630s). [5] He said Lievens "indicated the transparency of the elderly man's skin with thin glazing, while suggesting the roughness of its texture by applying thick impastos with quick strokes of the brush ...
Joseph Sr. explained the "spirit" was a "little old man with a long beard", while an account based on Oliver Cowdery described "an angel of light" appearing to Smith in a dream. [ 22 ] Smith said that on the night of Sunday, September 21, 1823, an angel visited him and told him of the location of the gold plates that contained the Book of ...
The work has been compared to the description of the artist's appearance in old age in Vasari's Lives of the Artists as "delicate and gentle, with long and battered beard and hair, almost a saviour, different from what had been". Its attribution to Parmigianino is almost unanimous among art historians and is upheld by Fagiolo dell'Arco (1970 ...
Another depiction, seen from the late 3rd century or early 4th century onwards, showed Jesus with a beard, and within a few decades can be very close to the conventional type that later emerged. [39] This depiction has been said to draw variously on Imperial imagery, the type of the classical philosopher, [ 40 ] and that of Zeus , leader of the ...
Frescoes of the Palaeologian Renaissance of the early 14th century survive in the Chora Church in Istanbul. Giotto In post-Antique Catholic Europe the first distinctive artistic style to emerge that included painting was the Insular art of the British Isles, where the only surviving examples are miniatures in Illuminated manuscripts such as the ...
His oil paintings trace the progress from an uncertain young man, through the dapper and very successful portrait-painter of the 1630s, to the troubled but massively powerful portraits of his old age. Together they give a remarkably clear picture of the man, his appearance and his psychological make-up, as revealed by his richly weathered face.
The body of art, including painting, sculpture, architecture, music and literature identified as "Renaissance art" was primarily produced during the 14th, 15th, and 16th centuries in Europe under the combined influences of an increased awareness of nature, a revival of classical learning, and a more individualistic view of man. [3]