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The Corpus of Romanesque Sculpture in Britain and Ireland (CRSBI) is an ongoing web-based research tool that freely provides expert reports and photographs of Romanesque sculpture carved in the British Isles between the mid-11thc century and the end of the 12th.
This is a list of artists active within the Romanesque period of Western Art. As biographical information often is scarce about artists from this age, many are anonymous or known only by later notnames .
Outside Romanesque architecture, the art of the period was characterised by a vigorous style in both sculpture and painting. The latter continued to follow essentially Byzantine iconographic models for the most common subjects in churches, which remained Christ in Majesty, the Last Judgment, and scenes from the life of Christ.
These are considered to be revivals of ancient Roman relief sculptural traditions, and are prime examples of Romanesque sculpture. Wiligelmo's name is known from an epigraph carved as a postscript to the Latin inscription over the foundation date on that facade: "Among sculptors, your work shines forth, Wiligelmo". [3]
Romanesque art — the art of western Europe created during the High Middle Ages. It spans the era from approximately 1000 CE to the rise of Gothic art and architecture in the 12th century and later. It covers Romanesque architecture, Romanesque painting, Romanesque sculpture, and metal working.
Gislebertus's name is the first ever found on stone work from the Romanesque period, as the sculptors before him believed themselves to be working for God, instead of themselves being creative individuals. On the other hand, as Grivot and Zarnecki state: [2] Signatures of this kind were not unusual in the Romanesque period.
Byzantios is a notname that in strict terms refers to a group of stone sculptures from the late 12th century. Whether these were produced by a single sculptor, a workshop, or a workshop with an artistic leader has been a matter of debate since the notname was used for the first time.
The Virgin from Ger is one of the most important examples of wood carving from the twelfth century in Catalonia, on account of the type it represents as well as its brilliant technique. To these features must be added its good state of general preservation.