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Qeej (Pahawh: 𖬀𖬰𖬦𖬵), free reed gourd mouth organ of the Hmong people. The most well-known instrument is the qeej, a type of reed pipe, in which each tone corresponds to a Hmong spoken word. [7] It is a free-reed gourd mouth organ, used to play a text-based melody in the middle range. It consists of a wooden wind chest, with a long ...
Hmong musicians from Guizhou perform on lusheng in a variety of sizes. The lusheng (simplified Chinese: 芦笙; traditional Chinese: 蘆笙; pinyin: lú shēng, pronounced [lǔʂə́ŋ]; Vietnamese: Khèn Mông; also spelled lu sheng; spelled ghengx in standard Hmong and qeej in Laotian RPA Hmong) is a Hmong musical instrument.
Also new this year is a qeej competition, Vue said. The qeej is a traditional Hmong reed instrument made of bamboo pipes. Each note of the qeej corresponds with a word, so people familiar with the ...
Examples of type 3 can be the Vietnamese M’buôt , the Bangladeshi Plung and Thai-Lao Khene or Khaen, whereas type 4 has close relation to Hmong people of southern China and adjacent countries. [2] [6] [12] Type 3 M’buôt is found in Truòng Son Ranges of Vietnam, and in Champa, a similar instrument is called rakle. [2]
Qeej, the gourd mouth organ of Hmong music. As of 1997 Merced has fourteen Hmong clans; they are the Cheng, Fang, Hang, Her, Kong, Kue, Lee, Lor, Moua, Thao, Vang, Vue, Xiong, and Yang. As a result, as of 1997 young people easily found exogamous marriage partners. Hmong often drive from city to city in the Central Valley.
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As well as the qeej, Xiong played several other instruments including reedless end-blown flutes, side-blown flutes with copper reeds, and the jaw harp. Xiong performed with these instruments at new world Hmong seasonal competitions and at cultural events, including the 1998 Smithsonian Folklife Festival.
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