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The depictions of women in film noir come in a range of archetypes and stock characters, including the alluring femme fatale.A femme fatale (/ ˌ f æ m f ə ˈ t ɑː l / or / ˌ f ɛ m f ə ˈ t ɑː l /; French: [fam fatal], literally "lethal woman"), is a prevalent and indicating theme to the style of film noir.
Ladies in Retirement is a 1941 American film noir directed by Charles Vidor and starring Ida Lupino, Louis Hayward and Evelyn Keyes. It was produced and distributed by Columbia Pictures. Lupino and Hayward were married at the time.
Film noir is of course the dark, mysterious genre made popular in the 1940s and '50s and full of long shadows, shady characters, gloomy streets, inky nights and dimly lit rooms.
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
No Man's Woman is a 1955 American film noir crime film directed by Franklin Adreon and starring Marie Windsor, John Archer and Patric Knowles. [1] The film's sets were designed by the art director Walter E. Keller .
The Lady Confesses is a 1945 American film noir directed by Sam Newfield. ... The Lady Confesses is available for free viewing and download at the Internet Archive
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The role of women's films was discussed at the Women's Liberation Conference in Melbourne in 1970, [108] and groups such as the Feminist Film Workers collective (1970s and 1980s), Sydney Women"s Film Group (SWFG, 1972–), Melbourne Women's Film Group (1973–), Reel Women (1979 to 1983 in Melbourne), and Women's Film Unit (Sydney and Melbourne ...
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