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Banna'i brickwork in the Mausoleum of Khoja Ahmed Yasavi.The blue brickwork spells out the names of Allah, Muhammad and Ali in square Kufic calligraphy.. In Iranian architecture, banna'i (Persian: بنائی, "builder's technique" in Persian) is an architectural decorative art in which glazed tiles are alternated with plain bricks to create geometric patterns over the surface of a wall or to ...
In Chinese carved lacquer, a convention developed by which the areas of sky, water and floor or ground that would be left largely blank in paintings are filled in with discreet patterns derived from textiles, known as "diaper backgrounds" and also "brocade-grounds" (錦地 jǐndì, lit. ‘embroidery[-like] background’); this convention has ...
The Art of the Brick first premiered in 2007. [1] [4] [5] It is the first traveling art exhibition to focus exclusively on sculptures made using LEGO building bricks. [1] Since 2007, it has toured through over 80 cities and been to each populated continent. [2] The locations it has been exhibited include:
A "face brick" is a higher-quality brick, designed for use in visible external surfaces in face-work, as opposed to a "filler brick" for internal parts of the wall, or where the surface is to be covered with stucco or a similar coating, or where the filler bricks will be concealed by other bricks (in structures more than two bricks thick).
Polychrome brickwork also became popular in Europe in the later 19th century as part of the various medieval and Romanesque revivals. In France, the Menier Chocolate Factory in Noisiel, designed by Jules Saulnier and completed in 1872, is an early and very elaborate example, which is also noted for its early use of iron structure.
Horizontal brick courses that alternate between protruding and being slightly recessed are another common feature, e.g. on the Hans-Sachs-Haus in Gelsenkirchen (1927). The facade designs were enhanced by the use of architectural sculpture, made of clinker bricks or ceramics. A well-known representative of this form of art was Richard Kuöhl.
Constructed in 1966, Equivalent VIII was bought by the Tate Gallery in 1972 for $6,000 (then £2,297), half of the 1966 price. As none of the pieces had been sold during their New York gallery exhibition, Andre had returned the original bricks for a refund so new bricks were bought and shipped to the UK along with instructions on how to arrange them.
To enliven the surfaces of wall and floor, Mudéjar art developed complicated tiling patterns. The motifs on tile work are often abstract, leaning more on vegetal designs and straying from figural images (which is common in Islamic work). The colors of tile work of the Mudéjar period are much brighter and more vibrant than other European styles.
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