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Later came William Sharp's anthology of American Sonnets (1889) [98] and Charles H. Crandall's Representative sonnets by American poets, with an essay on the sonnet, its nature and history (Houghton Mifflin & Co., 1890). The essay also surveyed the whole history of the sonnet, including English examples and European examples in translation, in ...
The sonnet had been adopted into English poetry during Tudor times, notably by Sir Thomas Wyatt and Henry Howard, Earl of Surrey, who took Petrarch as their model and translated or adapted several of his sonnets into English.
During the eighteenth century, The Sonnets ' reputation in England was relatively low; in 1805, The Critical Review credited John Milton with the perfection of the English sonnet. Towards the end of the nineteenth century, Shakespeare and Milton seemed to be on an equal footing, [ 60 ] but critics, burdened by an over-emphasis on biographical ...
Many English sonnet sequences start with addresses to the reader, and “many of [these addresses] specifically raise questions about the relationship between being in love and writing and reading love sonnets”. [5] The beloved is a major interest of sonnet sequences, but the poetry itself is also an important focus. While the soulful poetry ...
A sonnet sequence or sonnet cycle is a group of sonnets thematically unified to create a long work, although generally, unlike the stanza, each sonnet so connected can also be read as a meaningful separate unit. The sonnet sequence was a very popular genre during the Renaissance, following the pattern of Petrarch. This article is about sonnet ...
Sonnet 18 (also known as "Shall I compare thee to a summer's day") is one of the best-known of the 154 sonnets written by English poet and playwright William Shakespeare.. In the sonnet, the speaker asks whether he should compare the Fair Youth to a summer's day, but notes that he has qualities that surpass a summer's day, which is one of the themes of the poem.
In 1784, with Elegiac Sonnets, Charlotte Smith (1749–1806) reintroduced the sonnet to English literature. [citation needed] The early Romantic Poets brought a new emotionalism and introspection, and their emergence is marked by the first romantic manifesto in English literature, the "Preface" to Lyrical Ballads (1798).
The poet using this, the English sonnet or Shakespearean sonnet form, may use the fourteen lines as single unit of thought (as in "The Silken Tent" above), or treat the groups of four rhyming lines (the quatrains) as organizational units, as in Shakespeare's Sonnet 73: That time of year thou mayst in me behold