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Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen.
A piece of the Toreador Song's sheet music, with lyrics translated to English by Jerry Castillo, is owned by the Smithsonian Institution and kept in the National Museum of American History. [15] The series Thermae Romae Novae features an adaptation of the Toreador Song. The adaptation was specifically created for the series to reflect the theme ...
The Carmen Fantasy, Op. 25, by Pablo de Sarasate is a fantasy on themes from Bizet's Carmen for violin and piano or orchestra, composed in 1881. [1] A version with piano accompaniment was published in 1882. [2] [3] It was dedicated to Joseph Hellmesberger. [4]
The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration. However the order of the musical allusions are in reversed chronological order, and do not adhere to the operatic versions ...
Carmen sings the "Habanera", act 1. Bizet, who had never visited Spain, sought out appropriate ethnic material to provide an authentic Spanish flavour to his music. [25] Carmen's habanera is based on an idiomatic song, "El arreglito", by the Spanish composer Sebastián Yradier (1809–65).
Because of the popularity of the Cuban contradanza (habanera), the tresillo variant known as the habanera rhythm was adopted into European art music. For example, Georges Bizet's opera Carmen (1874) has a famous aria, "L'amour est un oiseau rebelle" based on a habanera pattern. The first seven measures are shown below.
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