Search results
Results from the WOW.Com Content Network
Carol Kaye (One of the most recorded bass players in history) Charlotte Kemp Muhl (from The Ghost of a Saber Tooth Tiger) Kerri Kenney-Silver (formerly of Cake Like) Debra Killings; Holly Knight (formerly of Device) handled the bass parts on the band's lone album 22B3
Fender bass player Carol Kaye... could do anything and leave men in the dust." [25] Brian Wilson has said that Kaye's playing on the "Good Vibrations" sessions was a key part of the arrangement he wanted. "Carol played bass with a pick that clicked real good. It worked out really well. It gave it a hard sound." [26] Dr. John has said that Kaye ...
[2] [6] Kae joined the school orchestra playing upright bass at 12. [3] [1] April Kae and her younger sister Nikki were both signed with a modeling agency in Austin, Texas as children. [5] She attributed her comfort in front of the camera on social media to that early experience modeling. [2] Her mother is African American and her Father is Jewish.
Gail Ann Dorsey (born November 20, 1962) is an American musician. With a long career as a session musician mainly on bass guitar, she performed regularly in David Bowie's band, from 1995 to Bowie's last tour in 2004.
Like many psychobilly upright bass players, Day plays with a "slap" style, slapping the strings against the fingerboard simultaneously with playing her bass lines to create a percussive, rhythmic effect. Many psychobilly and rockabilly bassists who slap use non-steel strings, as steel strings are too hard on the hands.
As one of the first female bluegrass bass players she more than rose to the occasion as a foundational member in Monroe’s bluegrass band for over a decade. She was one of the Bluegrass Boys from 1953–1964. [2] Bessie Lee Maudlin was a prolific contributor, as a member of Bill Monroe’s Blue Grass Boys.
The early 1990s found LaVere in Nashville as part of the burgeoning Lower Broadway scene, where she began to play upright bass as half of the popular roots duo The Gabe & Amy Show. [3] By 1999, she had moved to Memphis where she began work at Sun Studio .
[15] By the time she randomly picked up the bass in music class and began experimenting with it, she had grown bored with her other instruments. [20] [31] Her band teacher showed her a blues line for the bass that she later used to secure her first gig. [20] After that, she went in to play the bass daily and gradually fell in love. [15]