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Goldilocks is a musical with a book by Jean and Walter Kerr, music by Leroy Anderson, and lyrics by the Kerrs and Joan Ford. Background A ...
Leroy Anderson (/ l ə ˈ r ɔɪ / lə-ROY) (June 29, 1908 – May 18, 1975) was an American composer of short, light concert pieces, many of which were introduced by the Boston Pops Orchestra under the direction of Arthur Fiedler.
Overture (No. 1) in C Minor (early work - no full score survives) Overture No. 2 in D Major (premièred 21 April 1850) Overture No. 3 in C Major (premièred 21 April 1850) Overture (No. 4) in D Minor (premièred 21 April 1850) Ouverture serieuse (No. 5) (premièred 15 January 1879) – presumed lost
Not included are films where an overture is used to present the credits, or underscored scenes that are already part of the plot. Often, but not necessarily, these films also include an intermission with entr'acte, followed by exit music (after the credits). This list documents the rise and fall of the Overture/Roadshow practice over film history.
Overture to Of Thee I Sing (1931), for orchestra. The shortest Broadway overture written by Gershwin. It is also the least episodic of his overtures. Only two songs are quoted in the overture, the rest are only referenced in fragments and repeating musical cells. Also features Gershwin's only known violin cadenza.
The Overture in the French style, BWV 831, original title Ouvertüre nach Französischer Art, also known as the French Overture and published as the second half of the Clavier-Übung II in 1735 (paired with the Italian Concerto), is a suite in B minor for a two-manual harpsichord written by Johann Sebastian Bach.
The added-fourth chord (notated "add4") almost always occurs on the fifth scale degree where the added note is the key's tonic note. Examples in popular music include the second chord in the verse of "Runaway Train" and the introduction of The Who's "Baba O'Riley". [2]
In music, a dyad (less commonly, diad) is a set of two notes or pitches. [1] The notes of a dyad can be played simultaneously or in succession. Notes played in succession form a melodic interval; notes played simultaneously form a harmonic interval. Dyads can be classified by the interval between the notes. [2]
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