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An Arrephoros (Ancient Greek: Ἀρρήφορος) was a girl acolyte in the cult of Athena Polias on the Athenian Acropolis.They were seven to eleven years old. According to Pausanias, [1] two Arrephoroi lived for a year on the Acropolis and concluded their term with a mystery rite called the Arrhephoria: they carried unknown objects into a cavern, and there exchanged them for other unknown ...
The High Priestess supervised the city cult of Athena, enshrined in the Parthenon, and was the chief of the lesser officials such as the plyntrides, arrephoroi and kanephoroi. [2] Athena Polias ("Athena of the City") was one of the three divine patrons of the Acropolis of Athens, the other two being served by the High Priest of Poseidon ...
The Erechtheion [2] (/ ɪ ˈ r ɛ k θ i ə n /, latinized as Erechtheum / ɪ ˈ r ɛ k θ i ə m, ˌ ɛ r ɪ k ˈ θ iː ə m /; Ancient Greek: Ἐρέχθειον, Greek: Ερέχθειο) or Temple of Athena Polias [3] is an ancient Greek Ionic temple on the north side of the Acropolis, Athens, which was primarily dedicated to the goddess Athena.
Alexander the Great issued an edict, probably in the summer of 334 BC, to the city of Priene. [1] On the Temple of Athena Polias a section of the edict was inscribed across four marble blocks "near the top of the east face of the north anta of the pronaos."
The Priene inscription is a dedicatory inscription by Alexander the Great, which was discovered at the Temple of Athena Polias in Priene (modern Turkey), in the nineteenth century. It now forms an important part of the British Museum 's Ancient Greek epigraphic collection and provides a direct link to one of the most famous persons in ancient ...
The new statue remained of Athena but was a copy of the gold and ivory version by Phidias in Athens. [26] It was a standing statue of Athena, with calm facial expression and holding a spear and a shield, wearing a helmet. [27] The statue was 6.5 m (21 ft) tall and three times smaller than the Athenian original. [27]
A statue of this aspect of Athena was constructed in the Hephaisteion next to the cult statue of Hephaestus in 343 B.C. [2] ‘Athena Ergane’ was a specific title given to Athena as the patron of crafts, particularly weaving. Under this moniker, she was the goddess of all handicrafts, or functional artwork.
The plan for the Temple of Athena Polias at Priene is based on a regular grid with uniformly spaced columns and marks an important development of the grid plan in Greek architecture. [3] J.J. Pollitt called Pythius' grid-based design "'order' in an extreme degree" and a display of "a kind of icy, intellectual elegance."