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Ramdayal Sharma is an Indian Nautanki artist. He is also a singer, composer and teacher. He is also a singer, composer and teacher. In 2022, he was awarded Padma Shri , and in 2015, the Sangeet Natak Akademi Award by the Indian Government for his contribution in Arts .
Fresco of Ram Chandar from the haveli of Khem Singh Bedi, ca.1850–1890. The word Rama (ˈraːmɐ) appears in the Guru Granth Sahib more than 2,500 times. [10]Guru Nanak rejected the concept of divine incarnation as present in Hinduism [11] but used words such as Ram, Mohan, Hari & Shiv as ways of referring to the divine together with Islamic words like Allah & Khuda. [12]
Namdhari Guru Ram Singh made it a convention to read the Sikh scriptures, Sri Aadi Guru Granth Sahib (Guru Granth Sahib) and Sri Dasam Guru Granth Sahib (Dasam Granth) daily. [15] He directed all the holy Scriptures to be taken out of almirahs (wardrobe, cabinet, or cupboard) and placed with respect in places of worship, and that they be read ...
The pleasure of Nautanki lies in the intense mellifluous exchanges between two or three performers; a chorus is used sometimes. Traditional Nautanki performances usually start late at night, often around 10 P.M., and go all night until sunrise the next morning (for a total of 8–10 hours). There is no intermission in Nautanki performances.
The mural is located at the Guru Ram Rai Darbar Sahib complex at Dehradun, Uttarakhand, India. Ram Raiyas were a sect of Sikhism who followed Ram Rai , the eldest son of Guru Har Rai . He was sent by his father as an emissary to the Mughal emperor Aurangzeb in Delhi .
Bhattan de Savaiye (Punjabi: ਭੱਟਾਂ ਦੇ ਸਵਈਏ; bhaṭāṁ dē sava'ī'ē), also known as Bhatt Bani (Gurmukhi: ਭੱਟ ਬਾਣੀ; bhaṭa bāṇī), is a name given to 123 Savaiyas composed by various Bhatts, which are present in Guru Granth Sahib, scripture of Sikhs.
Natharam Sharma Gaur (1874 – 1943) was a writer and artist of Nautanki (North India's operatic theatre) plays of Indarman Akhara of Hathras in what is now Uttar Pradesh, India. [1] [2] Nautanki drama was larger than life. The predecessor to Bollywood extravaganzas, it was the world full of glamor, glitz, and pure fantasy.
Saang, also known as Swang (meaning "imitation") [1] or Svang, is a popular folk dance–theatre form and a traditional style of storytelling in Haryana, Uttar Pradesh, Rajasthan and the Malwa region of Madhya Pradesh. [2]