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Cuban musicologist Mayra Martínez wrote that "the term salsa obscured the Cuban base, the music's history or part of its history in Cuba. And salsa was a way to do this so that Jerry Masucci, Fania and other record companies, like CBS, could have a hegemony on the music and keep the Cuban musicians from spreading their music abroad."
The term "salsa" was coined by Johnny Pacheco in the 1960s in New York, as an umbrella term for Cuban dance music being played in the city at the time. [2] Salsa as a dance emerged soon after, being a combination of mambo (which was popular in New York in the 1950s) as well as Latin dances such as Son and Rumba as well as American dances such as swing, hustle, and tap.
Héctor Juan Pérez Martínez (September 30, 1946 – June 29, 1993), [3] better known as Héctor Lavoe, was a Puerto Rican salsa singer. [4] Lavoe is considered to be possibly the best and most important singer and interpreter in the history of salsa music because he helped to establish the popularity of this musical genre in the decades of 1960s, 1970s and 1980s.
“The history and story of salsa is one of emergence and eventual decline,” says University of Pennsylvania professor Jairo Moreno. “But it never stopped existing.” ... Latin music is the ...
The late Cuban American singer Celia Cruz, known as the Queen of Salsa, will be the first Afro Latina to appear on the U.S. quarter. Cruz was one of the 20th century’s most celebrated Latin ...
The origins of Latin Music in the United States dates back to the 1930s with Rhumba. [89] Rhumba was prominent with Cuban-style ballroom dancing in the 1930s, but was not mainstream. [89] It was not until the 1950s and 1960s that Latin Music started to become intertwined with American culture.
Estefan is one of the most beloved performers in Latin music history (and in music history in general). During her legendary career, Estefan sold over 100 million records, landed 38 #1 hit on the ...
When the rhythm and music are 'in clave,' a great natural 'swing' is produced, regardless of the tempo. All musicians who write and/or interpret Cuban-based music must be 'clave conscious,' not just the percussionists. [19] Salsa is a potent expression of clave, and clave became a rhythmic symbol of the musical movement, as its popularity spread.