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Celtic Orchestra - Tabhair dom do Lámh [Classic Celtic Moods, CD3 - 02] Celtic Southern Cross - Give me your Hand [Begged Borrowed & Stolen, CD3 - 26] Ceoltóirí Chualann (with Seán Ó Riada)- Tabhair dom do Lámh [Ceol na nUasal - 08] ( 1967) Ceoltóirí Chualann - Tabhair dom do Lámh [Ó Riada - 11] (1971)
First published in Celtic Grooves Newsletter. irishmusicreview.com. Walsh, Tom (2001). Review of The Wynd You Know. mustrad.org.uk. Wallis, Geoff. Review of Touch Me if You Dare. First published in fRoots magazine. irishmusicreview.com. Wallis, Geoff. Review of 3 CRAN Albums: Black Black Black, Lover’s Ghost, and Music from the Edge of the World.
Pure Moods is the first United States release of a series of compilation albums of new-age music released by Virgin Records. The original was titled Moods – A contemporary Soundtrack [ 3 ] and released in the UK in 1991.
The Celtic languages (/ ˈ k ɛ l t ɪ k / KEL-tik) are a branch of the Indo-European language family, descended from Proto-Celtic. [1] The term "Celtic" was first used to describe this language group by Edward Lhuyd in 1707, [2] following Paul-Yves Pezron, who made the explicit link between the Celts described by classical writers and the ...
Proto-Celtic, or Common Celtic, is the hypothetical ancestral proto-language of all known Celtic languages, and a descendant of Proto-Indo-European. It is not attested in writing but has been partly reconstructed through the comparative method .
The Celtic nations or Celtic countries [1] are a cultural area and collection of geographical regions in Northwestern Europe where the Celtic languages and cultural traits have survived. [2] The term nation is used in its original sense to mean a people who share a common identity and culture and are identified with a traditional territory.
"Arthur McBride" – an anti-recruiting song from Donegal, probably originating during the 17th century. [1]"The Recruiting Sergeant" – song (to the tune of "The Peeler and the Goat") from the time of World War 1, popular among the Irish Volunteers of that period, written by Séamus O'Farrell in 1915, recorded by The Pogues.
The Insular Celtic hypothesis is the theory that these languages evolved together in those places, having a later common ancestor than any of the Continental Celtic languages such as Celtiberian, Gaulish, Galatian, and Lepontic, among others, all of which are long extinct.