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"Leiningen Versus the Ants" by Carl Stephenson is a classic short story published in the December 1938 edition of Esquire. It is a translation, probably by Stephenson himself, of "Leiningens Kampf mit den Ameisen" which was originally published in German in 1937.
The unique "sound" of the ants devouring everything in their path was created by swirling a straw in a glass of water with crushed ice, which was then amplified. Much of the Rio Negro (Amazon) jungle riverscape, as well as the bridge dynamiting and sluice scenes, are second-unit stock footage shot in Florahome, Florida .
33. Why Ants Work Together (30 November 2010) 34. Why Flea Jumps (1 December 2010) 35. Why Hummingbird Hums (2 December 2010) 36. Why Baboon Has a Bare Bottom (3 December 2010) 37. Why Bees Sting (6 December 2010) 38. Why Peacock Struts (7 December 2010) 39. Why Aardvark Has a Sticky Tongue (8 December 2010) 40. Why Whale Spouts (9 December ...
If you've ever marveled at a team of ants working together to carry a huge morsel of food or navigate around objects, you've seen how effective a collective intelligence made up of simple ...
Radin responded an ant story, though he actually had nothing. Radin subsequently called Bass, who had a friend who worked with ants and they quickly agreed to work together. [6] During production, Saul Bass was concerned with 20-year-old Lynne Frederick’s figure, since she was playing a 16-year-old.
The ants call the colony together using mushrooms as hand drums. Later, while Donald is sleeping against a tree next to his picnic basket, a small team of ants sneak up on him. They open the basket, but Donald, still asleep, instinctively puts his hand over the basket to keep the ants out.
Ants in the Plants is a Technicolor cartoon created by Fleischer Studios and originally released into theaters on March 15, 1940, by Paramount Studios. [1] It was produced by Max Fleischer and directed by Dave Fleischer; animators were Myron Waldman and George Moreno. Music for the cartoon was composed by Sammy Timberg.
The descriptions of ant morphology, behavior, and social organization as well as their interactions with other species are detailed and scientifically based, although Werber significantly exaggerates the reasoning and communication capabilities of the ants, and the work is usually labeled as science fiction, [4] though some consider it more akin to speculative fiction.