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The Sacrifice of Isaac is the title of two paintings from c. 1598 - 1603 depicting the sacrifice of Isaac.The paintings could be painted by the Italian master Caravaggio (1571–1610) but there is also strong evidence that they may have been the work of Bartolomeo Cavarozzi, a talented early member of the Caravaggio following who is known to have been in Spain about 1617–1619.
Abraham's Sacrifice of Isaac is a 1715 painting by the Baroque artist Federico Bencovich in the Strossmayer Gallery of Old Masters. [ 1 ] This painting shows Abraham with a knife in his hand raised to kill his son Isaac at the moment that the angel intervenes.
The whole collection of art treasures from Santo Spirito was transported to the Church of the Salute in the seventeenth century, where they remain today. [3] [4] In the ceiling of the sacristy of the Salute, above the altar, are three creations of this period (c. 1543–1544): Cain and Abel, Abraham and Isaac, and David and Goliath. [3]
13) on his own responsibility and without being stopped by an angel: "And Abraham stretched forth his hand, and took the knife to slay his son; but Abraham lifted up his eyes and looked and beheld, behind him was a ram, caught in a thicket by his horns; and Abraham went, and took the ram, and offered it up as a burnt offering instead of his son ...
At God's command as the last of ten trials to test his faith, Abraham was to build a sacrificial altar and sacrifice his son Isaac upon it. After he had bound his son to the altar and drawn his knife to kill him, at the last moment an angel of God prevented Abraham from proceeding. Instead, he was directed to sacrifice a nearby ram that was ...
A model attribution edit summary is Content in this edit is translated from the existing Dutch Wikipedia article at [[:nl:Het offer van Abraham (1635)]]; see its history for attribution. You may also add the template {{Translated|nl|Het offer van Abraham (1635)}} to the talk page. For more guidance, see Wikipedia:Translation.
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[2]: 14–15 It is located in the Church of S. Pietro in Vincoli in Rome and is most famous for his central figure of Moses, [6]: 58, 112 completed in 1516 [7] [failed verification]. Of the other statues intended for the tomb, two known as the Heroic Captive / Rebellious Slave and the Dying Captive / Dying Slave , are now in the Louvre .