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The Sacrifice of Isaac is the title of two paintings from c. 1598 - 1603 depicting the sacrifice of Isaac.The paintings could be painted by the Italian master Caravaggio (1571–1610) but there is also strong evidence that they may have been the work of Bartolomeo Cavarozzi, a talented early member of the Caravaggio following who is known to have been in Spain about 1617–1619.
Abraham's Sacrifice of Isaac is a 1715 painting by the Baroque artist Federico Bencovich in the Strossmayer Gallery of Old Masters. [ 1 ] This painting shows Abraham with a knife in his hand raised to kill his son Isaac at the moment that the angel intervenes.
Abraham and Isaac, also known as the Sacrifice of Isaac (Italian: Sacrificio di Isacco), is an oil painting by the Venetian painter Titian. It was made in about 1543–1544 for the church of Santo Spirito , but is now in the basilica of Santa Maria della Salute .
On that reading, in the original E version of the binding Abraham disobeys God's command, sacrificing the ram "instead of his son" (v. 13) on his own responsibility and without being stopped by an angel: "And Abraham stretched forth his hand, and took the knife to slay his son; but Abraham lifted up his eyes and looked and beheld, behind him ...
Abraham's Oak (painting) C. Christ Appearing to his Mother after his Resurrection; D. The Departure of the Shunammite Woman; L. The Last Judgment (Klontzas) M.
Eliezer and Rebecca, Louvre version Private collection version. Eliezer and Rebecca (in French Éliézer et Rébecca) or Eliezer Giving Abraham's Presents to Rebecca (Éliézer remet les présents d'Abraham à Rébecca) is an oil-on-canvas paintings by Nicolas Poussin, dating to c.1647–1649, commissioned by silk merchant and banker Jean Pointel and is now in the Louvre.
The subject of the painting was taken from the Book of Genesis.It depicts the episode of the expulsion of Hagar and her son Ishmael by Abraham.According to the Genesis, Hagar was the slave of Sarah, Abraham's wife, and when he was 86 years old, she asked him to sleep with Hagar so that she could conceive a son.
Gentileschi plays into the "wiles of woman" in her painting by literally portraying Judith at the main point of her domination over a man. Judith is shown as a beautiful woman, which helped her entice Holofernes, and also as a fierce heroine. The painting is relentlessly physical, from the wide spurts of blood to the energy of the two women as ...