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"Cirice" (/ s ə ˈ r iː s / sə-REES, [1] Old English: [ˈtʃiritʃe]; 'church') is a song by the Swedish rock band Ghost. The track was released as the lead single from the group's third studio album Meliora. The song peaked at number 4 on the Mainstream Rock Songs chart, and won the Grammy Award for Best Metal Performance in 2016.
They have released 5 albums and 4 extended plays (EPs), gathering 72 songs, mostly written by frontman Tobias Forge under the credit of "A Ghoul Writer". This article gathers in the table below all the songs released by Ghost since their debut album Opus Eponymous (2010), in alphabetical order, and gives the song's writer(s), the first release ...
Year Zero" and its music video were nominated for Best Metal Song and Best Metal Video in the 2013 Loudwire Music Awards. [ 9 ] In 2022, a viral trend on TikTok where users show videos of their dogs or cats, pausing at each of the opening lyrics of the song (" Belial Behemoth Beelzebub ... ") to coincide with their pets pulling a savage ...
"Ghost" is an alt hip hop and electronica [15] song featuring Beyoncé rapping with recessed and reverbed vocals. [11] [16] The song contains ambient beats, bass and percussion and a poetic spoken word vocal with high loop. [3] [17] It was created by using a minimal approach and a falsetto vocal was applied along with various "warped, ghost-ly ...
"Dance Macabre" is a song from Ghost's fourth studio album, Prequelle. The song was debuted in a live setting, being played live at a surprise live show on May 5, 2018. [ 5 ] The studio version was previewed via the band's Instagram story on May 17, a day prior to being officially released. [ 6 ]
"Hunter's Moon" is a song by Swedish rock band Ghost. It was released on 30 September 2021 in support of the 2021 slasher film Halloween Kills; although it does not feature on the film's soundtrack, it plays over the end credits. [1] A music video for the song was released the same day. [2]
That ambitious 12-song cycle — despite being a seemingly willfully uncommercial concept album about "demigod worship" and "the unescapable fails and falls of empires" after the Black Plague, and ...
Allison Stewart of The Washington Post saw "Ghost" as the best song on Justice, writing that the "rafter-rattling ballad" is "perfectly suited to the unique concerns of quarantine". [9] Similarly, Los Angeles Times pop music critic Mikael Wood considered it one of the album's highlights, noting that the song's drums "punches up a vaguely creepy ...