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Heard the voice of Jesus say Come unto me, I am the way. Keep your hand on the plow, hold on. When my way gets dark as night, I know the lord will be my light, Keep your hand on the plow, hold on. Hold on Hold on Keep your hand on the plow, hold on. You can talk about me much as you please The more you talk, gonna stay on my knees.
The Simon & Garfunkel song, "Blessed", from their album, Sounds of Silence. A line by John Mellencamp in the song, "Thank You" from his album, Words & Music: John Mellencamp's Greatest Hits. "Try not to forget that the meek inherit earth" is a quote from Staind's song, "How About You". A line in the song, "Anything for Jah" by Easy Dub All-Stars.
"Keep Your Eyes on the Prize" is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, "Gospel Plow," also known as "Hold On," "Keep Your Hand on the Plow," and various permutations thereof.
Matthew 5:17 is the 17th verse of the fifth chapter of the Gospel of Matthew in the New Testament and is part of the Sermon on the Mount.One of the most debated verses in the gospel, this verse begins a new section on Jesus and the Torah, [1] where Jesus discusses the Law and the Prophets.
However, Jesus rejects the possibility of dual service on the part of humanity, stating that no one can serve both God and Mammon. In the story of Jesus and the rich young man, the young ruler's wealth inhibits him from following Jesus and thereby attaining the Kingdom. Jesus comments on the young man's discouragement thus:
The words that I say to you I do not speak on my own; but the Father who dwells in me does his works." [179] [180] The Return of the Prodigal Son by Pompeo Batoni, 1773. Approximately 30 parables form about one-third of Jesus's recorded teachings. [179] [181] The parables appear within longer sermons and at other places in the narrative. [182]
Robert Ford, who killed Jesse, was a James' gang member.Mr. Howard was the alias that James lived under in Saint Joseph, Missouri at the time of his killing.. The song was recorded in 1924 by Bascom Lamar Lunsford and subsequently by many artists, including Woody Guthrie, Pete Seeger, Eddy Arnold, Jackson C. Frank, The Country Gentlemen, The Pogues, The Kingston Trio, Van Morrison, Bob Seger ...
Teresa M. Walker, in her review for the Gainesville Sun, said that with the assistance from superstars on the final chorus, the song "should shoot up the charts." [4] Dave Larsen of the Dayton Daily News cited it as one of the stronger tracks on the album, saying that the album "works best when Tritt sticks with the populist approach."