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"Ain't Hurtin' Nobody" was inspired by one of the singer's childhood trips to the beach and would be chosen to be Prine's second music video (the first having been "Picture Show"). The optimistic "New Train" seems to celebrate a new lease on life while "Humidity Built the Snowman" is a commentary on the impermanence of relationships. [ 2 ]
"Ain't Gonna Hurt Nobody" is a song performed by American hip hop group Kid 'n Play. It was issued as the first single from their third studio album Face the Nation, as well as appearing on the soundtrack to the film House Party 2. The song samples the Brick song of the same name, as well as "Funky President (People It's Bad)" by James Brown. [4]
"It Don't Mean a Thing (If It Ain't Got That Swing)" is a 1931 composition by Duke Ellington with lyrics by Irving Mills. It is now accepted as a jazz standard , and jazz historian Gunther Schuller characterized it as "now legendary" and "a prophetic piece and a prophetic title". [ 1 ]
"Ain't No Other Man" is a song recorded by the American singer and songwriter Christina Aguilera from her fifth studio album Back to Basics (2006). Aguilera co-wrote the song with Kara DioGuardi , Charles Martin Roane, Harold Beatty and its producer DJ Premier .
Breaking Up Is Hard To Do is a jukebox musical written by Erik Jackson and Ben H. Winters, based on the songs composed by Neil Sedaka, with lyrics by Sedaka, Howard Greenfield, and Philip Cody. [ 1 ] [ 2 ] The title of the musical is taken from Sedaka's signature song " Breaking Up Is Hard To Do ."
The way Debbie described Joseph, the moral pain would have been acute. “He loved people. He would do anything for anyone,” Debbie said. He was convinced, she said, that the rocket he fired had gone through the head of one of the children. Even before One-Six got back to Camp Lejeune in July 2010, Navy psychologists had diagnosed Joseph with ...
Ain't continued to be used without restraint by many upper middle class speakers in southern England into the beginning of the 20th century. [29] [30] Ain't was a prominent target of early prescriptivist writers. In the 18th and early 19th centuries, some writers began to propound the need to establish a "pure" or "correct" form of English. [31]
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