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These positions are responsible for the fabrication of a production prior to the initial performance. Although there will be significant involvement in initial development of a production, some of these positions may not be involved once performances before an audience begin. Actor; Audio Engineer; Backstage; Carpenter and master carpenter ...
The boom operator is part of the sound crew, and an assistant to the sound engineer or production sound mixer. The boom operator's main responsibility is microphone placement, sometimes using a "fishpole" with a microphone attached to the end—and sometimes using a "boom" (most often a "fisher boom"). The fisher boom is a piece of equipment ...
A plant operator is an employee who supervises the operation of an industrial plant. The term is usually applied to workers employed in utilities , wastewater treatment plants , power plants or chemical plants such as gas extraction facilities , petrochemical or oil refineries .
Theatrical responsibilities taken by technicians include: Set construction and theatrical carpentry; Sound system configuration and operation; Lighting design and light board operation, Followspot operation, hanging and maintenance of stage lighting instruments as well as various other electrical jobs
The roles, composition and number of workers in a tech crew can change significantly depending on the nature of an event, and often evolves as the production does. In a small scale production, the technical crew might consist of a single person, operating the lights and controlling the volume of the sounds and music.
The boom operator and production sound mixer can sometimes be combined into a job performed by one person on lower budget productions, usually when the crew number is to be kept minimal, or for documentaries or news collecting. The one-man unit is often known simply as a "sound recordist" or "sound man", and would perform all on set sound ...
Assistant stage manager: Assists the stage manager in their duties. Generally, one assistant stage manager is in charge of running backstage operations during a show. Props Master: Responsible for maintenance and placement of hand props before scenes as well as their subsequent retrieval after the scene. Additionally, props masters run the ...
In studio based television production, the route for promotion from sound assistant is to sound technician/operator, and finally to sound supervisor. Formal qualifications are not specified for technicians in studio environments, although employers typically look for basic numeracy and literacy, and a solid foundation in maths and physics.
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