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Chinese character Qi (气), Spring and Autumn period The clouds physical characteristics (being wispy and vaporous in nature) were associated with the Taoist concept of qi (气; 氣), especially yuanqi, [3]: 133 and the cosmological forces at work; [1] [note 4] i.e. the yuanqi was the origins of the Heavens and Earth, and all things were created from the interaction between the yin and yang.
Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208.
Lishui (Chinese: 立水; pinyin: lìshuǐ; lit. 'standing water') or shuijiao (Chinese: 水脚; Chinese: shuǐjiǎo; lit. 'water feet') is a set of parallel diagonal (either straight or wavy), multicoloured sea-waves/line patterns. [1] [2] [3]: 100 It originated in China where it was used by the Qing dynasty court prior to the mid-18th century. [4]
Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.
Upward pattern of a fire emblem, symbolized that the emperor led its people in making positive efforts Grain of rice (粉米, fěn mǐ) Symbolize nourishment and the country's agriculture, and also symbolizes that the emperor is the mainstay for the people. Axe (黼, fǔ) The Axe stands for “cut-off”; i.e. the emperor's power to act decisively
The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
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